After sorting out the foundation garments for this project (which you can read about here) I moved onto what became one of my favourite parts of it – the petticoat!
You may think, petticoat? How is that exciting? Oh friends I tell you, petticoats of this period are where it’s at!
For several years I’ve been very curious about late 17th century mantua gowns as the progenitors of so much of 18th century women’s fashion. I wondered how the process of making and wearing one would compare with what they later evolved into. I also wondered how they would look on a real body compared with the often-considered unattractive period images of them.
In 2018 I decided to take the plunge and try making one for myself, using Costume College 2018 as my excuse to finally do so – and boy am I glad I did because I LOVE this ensemble!
The weekend before American Thanksgiving a few friends and I enjoyed a little jaunt to Williamsburg. We dressed up one day for a carriage ride in the historic district:
Back in mid-August I had the opportunity to participate in a really great experience. My friend Gloria (of In the Long Run) and her husband, Mike, organized a meet-up of historical costumers and photographers at the National Portrait Gallery here in DC for an afternoon photoshoot.
photo by Justin Schneider
There were 8 of us in costume (from left to right: Gloria, Stephani, Glynnis, Me, Nastassia, Tarisa, Taylor and Maggie) and 3 photographers (Dan, Justin and Mike). So we split into 3 groups of costumers and each group rotated through the photographers for about an hour with each, taking turns getting photographed. And what costumer doesn’t love an opportunity to get good photos of their hard work in a beautiful setting?! Continue reading
This post focuses on construction of the hat I made to wear with my mint wool 1780s redingote. For the post on construction of the redingote itself, click here.
I should begin by noting that I have no idea how HA or not the construction of my hat is. We apparently do know that wire and buckram were used in hat making at the time but don’t know how much it would have resembled our modern materials or just how they were used. We don’t have any surviving examples of these hats (that we yet know of) to check against. So please do keep this in mind – this is *my* interpretation of how such hats maybe *could* have been made.
Anyway, here is the hat in question:
This is a short and sweet post on the hat I made at the last minute to go with my recent striped silk mid-1790s open robe.
In early November I got to attend a lovely annual event here in the DC area: The Pumpkin Tea and Candlelight Dinner hosted by the ever-gracious Lady Detalle.
This post is about the outfit I put together for the afternoon tea.
The group shots and photos of me in my outfit were graciously taken by Gloria of In the Long Run Designs.
Everyone looked SO GOOD!
If you’re just joining, this is my follow-up post to last week’s that was full of pretty photoshoot pictures of my recent 1875 bustle gown, made for my Big Ass Birthday Bash. This post focuses on construction and the insides of the ensemble. And thank you to everyone who responded to the last post with questions about the making of this outfit, I’ll do my best in answering them!
The foundations for this dress are my trusty pink Victorian corset along with the Laughing Moon bustle/crinoline I made earlier in the summer…..
Well, I did it! I’ve now made everything that was on my historical sewing list for 2017 – and I still have a couple months to cram in a few more makes, ha! This dress was the last on the list and was made for my recent Big Bustle Birthday Bash. And last week I was able to do a dedicated photoshoot of it courtesy of Taylor of Dames a la Mode.
This dress is the first off the list of 2017 historical sewing projects. Hooray for crossing items off lists, I love that feeling! (if you’d like to, you can check out the full-ish list here)
This is something I had planned/wanted to make for some time – basically ever since I bought the fabric a few years ago. It’s a scrummy silk taffeta in irregular micro-stripes of light robins egg blue and ivory and I the moment I saw I had late 18th century visions. In fact, I loved it so much that after first buying 6m of it I went back to the store (it was on sale at Fabricland) and bought the rest of the bolt for a total of about 12m!
After making my quarter-back Italian gown in the fall I really wanted to make an Anglaise with an en fourreau back. Initially I thought I would do the regular kind, just with the late 18th century quite narrow en fourreau. But then I saw this and I was instantly won over:
I had actually seen one (or two) other such dresses in-person in the UK as part of my research so I knew it wasn’t a complete one-off-outlier and I think it’s just such a neat twist on the en fourreau style I had to have it!
I was also keen to try a cutaway front bodice (often referred to as a “Zone front” but as that’s a modern term I try to stay away from using it) and so put all of these elements together in one dress.