Yes, it’s that time of year again! Or it was, a couple of weeks ago.
This year’s ensemble was nothing like last year’s mammoth undertaking. With a tentative PhD thesis defense date set, there was no way I could devote that much time this year.
However, I may actually love this year’s ensemble as much as last year’s, and I certainly enjoyed wearing it a lot more! lol (this year’s was much more user-friendly!)
To make things easier for myself I used sewing patterns I already had, and just did a bit of frankenpatterning. I combined two 1950s patterns for the dress and used one other for the bolero.
I took the dress bodice from this pattern:
Hi from Canada again!
I’m back home and now able to blog about how the Tree gown is progressing! I’m still going to finish the V&A virtual tour, but thought I should get going with Tree since there’s been a lot going on with it! I actually started this post a couple of months ago, but wasn’t able to get all the elements together until today. So, let’s dive right in, shall we?
An interesting combination of fabrics and materials were used by Charles James for his “Tree” gown. While I will mention what all of them are as they are incorporated into my version, I thought it might be useful to have a post that lays them all out in one spot as a sort of reference. This also gives me a perfect opportunity to show off the amazing coloured silk I got for the fashion fabric, hee!
To make things even clearer, I decided to draw a little diagram of each layer of the gown to make it even easier to visualize what goes where and how. I’ll be going from the innermost layer out.
#1 Bodice foundation