A quick re-cap of the original dress/pattern in Patterns of Fashion and how I modified it:
the original dress has a box-pleated skirt but I wanted the tight, narrow knife pleats so common for this period.
(Also, here are links to my posts on making the bodice and petticoat)
So I used the skirt pattern from another dress in Patterns of Fashion as a rough guide.
Although I still did things a little differently from either. I cut my skirt as two full-width panels of my fabric with a little bit of a train at the back but completely straight along the top. Instead of cutting the waist edge with a curve I just sewed it with one – you’ll see what I mean in a moment.
To re-cap, here is the bodice pattern I was using from Janet Arnold’s Patterns of Fashion:
I did make and fit a muslin first but am not going to bother with that here, let’s get right to the fun stuff!
**Warning: Long and image-heavy post ahead**
A new fashion exhibition has just opened up at the Daughters of the American Revolution museum here in DC, ‘An Agreeable Tyrant’: Fashion After the Revolution. It explores Americans’ various relationships with prevailing fashions during the early Federalist period of 1780s to 1820s. Over the past year I’d been assisting the curator, Alden O’Brien, with the exhibition. First, with some late-stage planning and design, then with drafting scaled down patterns of several of the garments going on display, a little bit of photography, and finally mounting the garments on their mannequins including making adjustments to the mannequins themselves and also making some of the underpinnings needed to properly display the garments. Most of this was on a volunteer basis but I also wrote one of the essays for the catalogue (on fashion and thrift) and that was on a professional level. It was very exciting for me because its the first time I get to see my name in print this way!
FYI: The exhibition runs until April 29, 2017 and the catalogue is available to purchase online here – and they do ship internationally.
Ok, this post is a long one, but I hope you’ll think it a good one.
I’m using this as my (slightly belated) entry for the HSM ’16 (Historical Sew Monthly) January challenge: procrastination. Doesn’t it just figure I’m a little late with it
I started this dress for last year’s challenge: out of your comfort zone, back in……May? April? Something like that. Considering I was feverishly working on finishing my PhD thesis at that time I wasn’t about to take on a whole new branch of sewing/needlework for this challenge. Instead I decided to take on one historical sewing technique that had long fascinated me but I’d been unsure of trying for some reason. The technique is a particular way of seaming bodices in the late 18th century. It consists of finishing the separate pieces of the bodice with their linings and then sewing them together with a very scant seam allowance (you’ll see what I mean in a moment).
The style of the dress is from (goddess) Norah Waugh’s Cut of Women’s Clothes, the 1797 open gown:
Ok, so I have a lot of catching up to do on here! Between finishing up my PhD and then an international move, there hasn’t been much time for blogging over the past few months. But I have been sewing during a lot of this “away” time. I made a natural form era summer suit, a vintage mash-up summer suit for my thesis defense, and three new dresses over the past 2-3 weeks. I’m also in the middle of a white cotton regency gown to wear with the blue silk spencer.
Today, I present a project I made for a Historical Sew Monthly challenge back in the spring: War & Peace. I did get it done and posted to the fb challenge album in by the challenge deadline, but never got around to blogging it. In the interest of catching up, this is going to be short and sweet, but I hope will still be worth your taking a look.
I hummed and hawed about what to do for War & Peace for some time trying to figure out what to do. Then I remembered those smart military-inspired hats women wore during the Napoleonic wars – feminized versions of the Shako hat/cap:
This is my entry for February’s Historical Sew Monthly challenge “Blue”. It wasn’t my initially intended entry, which was supposed to be a smart and clever-looking new pale blue wool coat made from a late teens/early 20s pattern I have. However, after doing a muslin and fiddling with it a bit I just wasn’t feeling it. I still hope to make it someday, but I wasn’t feeling totally enthusiastic about it and I think it’s too straight a silhouette for most of the clothes I wear, even though it has a little more flare than most styles from that period.
So, about the middle of the month I decided to completely switch tracks and make something that was nowhere on my sewing list/queue. Very practical decision (please note the sarcasm). I rationalized it to myself by saying that I had intended <someday> to make a new spencer from a piece of pale blue silk in my stash left over from the Regency ball ensemble I made a little over a year ago. And that even though I had no definite plans about it, it did get something off my sewing wishlist, at least, and used up an awkwardly-sized piece of fabric stash. In fact, everything on this came from stash, I didn’t purchase a single little bit for this, and that’s always nice.
I made the even more practical decision to hand sew the entire thing.
So let’s get to it, shall we?
My spencer is a combination of Sense & Sensibility’s pattern (which I already had and already used so I didn’t need to worry about fitting):