This dress is old news now but in case you’re interested in how it went together I finally got my construction post for it done and up!
For most of this dress, both skirt and bodice, I used the draft from Patterns of Fashion for the 1870-71 dress – the one with 3 bodice options, I used the day bodice. Although this pattern is from a few years after my date, in looking at lots of fashion plates and extant garments I realized that pattern piece shapes from the early 1870s were largely the same as those of the mid-late 1860s – it was fashion evolution not revolution going on at this time!
Quick re-cap of this project:
This year is Canada’s Sesquicentennial – aka: 150th birthday. I went to Ottawa for Canada Day this year (or Dominion Day for those who go old school) which was on July 1st when some friends and I celebrated in 1867 style. If you’re just tuning in you can see the finished outfit in this post.
The silhouette and style I went with is more 1867-ish than straight on 1867 because, to me, the whole 1840s through 1860s is such a snooze fest fashion-wise. I just do not like 1860s fashion; so I pushed mine more into 1868/beginning of the bustle-era. What’s the point of making something that I’m just not interested in, right?
I’m doing a whole post on just the skirt supports because, lemme tell you, this was a whole journey in itself!
For reference, this was my primary inspiration for the dress overall:
This is the third and final post on the construction of my Raspberry Mint Sorbet bustle dress completed back in May
If you’re just joining now, here’s the first post, about the skirts, and here’s the second, about the bodice.
I started thinking about the hat while I was finishing sewing the dress. In looking at mid-1880s fashion plates I quickly knew I wanted to do one of those small-but-tall crowned hats from the period. They just look so pert and jaunty – and have such ridiculously fun trimming!
the upper and lower left-hand ones here
I’m probably one of the last people to finish getting the CoCo posts up but, hey, better late than never, right?
There are quite a lot of photos in this post and it still represents only a small fraction of the wonderful things and people I saw and met!
These photos were all taken by me and I’ve made the decision to not credit/tag people in them because it would take FOREVER and also because I didn’t necessarily get everyone from their absolute best angle or expression, so they may not want to be tagged, lol. If anyone particularly wants to be tagged or would prefer I remove something I’m more than happy to oblige if you could let me know!
So this is basically just like a photo album with little text, broken down into the days of Coco.
Without further ado……
I was still wrapping my head around this whole CoCo thing at the Thursday evening pool party and so this is almost my only photo from it.
If you wondered at all why it’s been so quiet around here the past month the answer is simple: Costume College!
This year was my very first time attending Costume College, the annual 3-4 day costume conference in California. And, whoo-boy, what an experience!! I had a fantastic time, met lots of awesome people, got all kinds of inspiration from both them and the classes I attended and have come home with my mind in a frenzy of possibilities for CoCo 2018 and the year in between!
But, for those of you who didn’t get to attend, you’re probably really just mostly interested in what everybody wore, right? There were so many good outfits, on a wide range of themes. However, to make things more digestible I thought I’d start with my own CoCo 2017 wardrobe.
I had 6 outfits/costumes in total. Three come from my costume closet and three were new makes.
Things kicked off properly on Thursday evening with the Pool Party. The overall theme for CoCo this year was to do with the 1960s so I paid my one homage to that at the pool party:
I’m posting about this project in a backwards manner, showing you the finished ensemble being worn before the construction post(s) – and before I’ve finished with the Raspberry Mint Sorbet. But I wanted to get this up as close after the July 1 weekend as possible, and so you get the good stuff first!
So, as you may have guessed from the title of this post this year Canada celebrated its 150th “birthday,” maybe not such a big deal as a centennial or bicentennial, etc but still significant for us as quite a young country; plus, I wasn’t around for the centennial and will have to live to nearly 90 to see the bicentennial, so I’ll take it!
For the occasion a few friends around Ottawa and I decided to make historical dresses inspired by the year of Canada’s confederation, 1867, and get up to some shenanigans around the capitol over the holiday weekend. We initially intended to have picnics throughout the weekend but the weather ended up being just about as un-co-operative as could be and rained heavily, thundered and lighteninged most of the time. So we had to make some hasty re-arrangements and I’m quite pleased with what we managed to throw together last minute. I also actually quite like that we ended up doing something different each of the 3 days.
For the Friday we found a teahouse to accommodate the 4 of us who could make it (Me, Sarah, Liz, Catherine):
If you’re just joining, this is the second in a small series of posts about my most recently completed project, which I dubbed the Raspberry Mint Sorbet bustle dress, for probably pretty obvious reasons.
Here’s where we left off (because I haven’t shown this image enough already, lol) – which is where I left off last summer (post covering the skirts here).
My initial inspiration for the bodice was this fashion plate that I also liked for showing a similar colour combination to my own, which still feels a little too, I don’t know, for HA.
If you saw my post about this year’s historical sewing plans then you may remember my mentioning this UFO that I started on a whim last summer. I got as far as having the skirt mostly finished before it was time to start fall sewing, at which point I was all about fall colours (which I love SO MUCH) and this make instead of summery ice cream-like colours.
Fortunately, it did not have to languish in the UFO pile for terribly long. In the winter I received an invitation to a Victorian picnic in May. I ended up not being able to go as I was attending a conference in England over the same weekend. However, as luck would have it I received an invitation from another friend for a Victorian picnic in June so I didn’t lose my incentive for finishing this ensemble! Hooray for UFO-busting!
I’ve decided to do a post for each component of this ensemble (skirts, bodice, hat, everything together and “in action”) to keep it manageable.
Here’s where I had got to last summer:
This dress is the first off the list of 2017 historical sewing projects. Hooray for crossing items off lists, I love that feeling! (if you’d like to, you can check out the full-ish list here)
This is something I had planned/wanted to make for some time – basically ever since I bought the fabric a few years ago. It’s a scrummy silk taffeta in irregular micro-stripes of light robins egg blue and ivory and I the moment I saw I had late 18th century visions. In fact, I loved it so much that after first buying 6m of it I went back to the store (it was on sale at Fabricland) and bought the rest of the bolt for a total of about 12m!
After making my quarter-back Italian gown in the fall I really wanted to make an Anglaise with an en fourreau back. Initially I thought I would do the regular kind, just with the late 18th century quite narrow en fourreau. But then I saw this and I was instantly won over:
I had actually seen one (or two) other such dresses in-person in the UK as part of my research so I knew it wasn’t a complete one-off-outlier and I think it’s just such a neat twist on the en fourreau style I had to have it!
I was also keen to try a cutaway front bodice (often referred to as a “Zone front” but as that’s a modern term I try to stay away from using it) and so put all of these elements together in one dress.
I’ve finally gotten around to doing a sort-of how-to post on the ruched sleeve cuffs of my rust 1780s Italian Gown. This is very far from an authoritative description or tutorial as it was entirely trial and error, my own cuffs are far from perfect and I didn’t have a full tutorial in mind when doing it. But, hopefully it can somewhat helpful to people and it would be awesome if it was a starting point for someone to come up with a much better and more comprehensive how-to!