How I Made My 1780s Tall Crown Hat

This post focuses on construction of the hat I made to wear with my mint wool 1780s redingote. For the post on construction of the redingote itself, click here.

I should begin by noting that I have no idea how HA or not the construction of my hat is. We apparently do know that wire and buckram were used in hat making at the time but don’t know how much it would have resembled our modern materials or just how they were used. We don’t have any surviving examples of these hats (that we yet know of) to check against. So please do keep this in mind – this is *my* interpretation of how such hats maybe *could* have been made.

Anyway, here is the hat in question:

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Mid-1870s Day-to-Night Bustle Dress

For the first weekend of February this year I got to have a little costuming adventure in Ft Worth, Texas. This was especially exciting as I’d never been to Texas before! And I have to say that what I saw of Ft Worth left a very good impression! It was so clean, the people were so friendly, the prices and portions for food were fantastic (even if the portion sizes were a little overwhelming) and the hospitality was overall so gracious!

The reason for the excursion was an event organized by the Dallas/Ft Worth Costumer’s Guild, entitled the “Victorian Soiree.” They found out that the Ft Worth Symphony was going to perform a selection of pieces from the later Victorian era and decided to make an event of it!

So, we went to the Symphony in costume and it was just delightful!

I had initially planned to re-wear my CoCo 2017 Gala gown but have decided I don’t think the bodice is really all that flattering on me and I’m feeling self-conscious these days about my flabby upper arms. Add to this that an idea for a new 1870s bustle dress had been planted in my head by a silk purchase a few months ago and I couldn’t resist making something new – with sleeves, lol!

Voila!:

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1780s Mint Redingote at a Colonial Williamsburg Weekend!

Right at the end of 2017 I had a little dream come true – a costumed weekend at Colonial Williamsburg!

A couple groups of friends decided to get together there to take in the holiday decorations and sport our 18th century winter wear.

*Note*: all watermarked photos are courtesy of In the Long Run Designs – thank you again Gloria & Mike!!

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c. 1794 Striped Silk Open Robe (aka: more autumn colours!)

In early November I got to attend a lovely annual event here in the DC area: The Pumpkin Tea and Candlelight Dinner hosted by the ever-gracious Lady Detalle.

This post is about the outfit I put together for the afternoon tea.

The group shots and photos of me in my outfit were graciously taken by Gloria of In the Long Run Designs.

Everyone looked SO GOOD!

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1875 Autumn Plaid Dress – Construction

If you’re just joining, this is my follow-up post to last week’s that was full of pretty photoshoot pictures of my recent 1875 bustle gown, made for my Big Ass Birthday Bash. This post focuses on construction and the insides of the ensemble. And thank you to everyone who responded to the last post with questions about the making of this outfit, I’ll do my best in answering them!

The foundations for this dress are my trusty pink Victorian corset along with the Laughing Moon bustle/crinoline I made earlier in the summer…..

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1875 Autumn Plaid Bustle Dress

Well, I did it! I’ve now made everything that was on my historical sewing list for 2017 – and I still have a couple months to cram in a few more makes, ha! This dress was the last on the list and was made for my recent Big Bustle Birthday Bash. And last week I was able to do a dedicated photoshoot of it courtesy of Taylor of Dames a la Mode.

DSC_1701

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My BIG BUSTLE BIRTHDAY!!!!

My birthday is right at the end of September and this year was a milestone/slightly depressing one (though I’m really not that fussed about it, thankfully). My actual birthday was a little over-shadowed by the wedding of very good friends in Toronto (my husband was best man and I made the wedding dress – yes, there will be a post about that in the near future *winky face*). So, I decided to throw myself a big birthday party down here in DC a couple of weeks later; and to make it even bigger and better I made it a Big Bustle Birthday Bash! The main idea was Victorian bustle dresses but I also allowed late 18th century ones so as not to be *too* restrictive.

The party was set in 2 locations. First, we had a picnic together at the National Arboretum; then cake and champagne/cocktails at my house on Capitol Hill.

It was a pretty big undertaking but it was such a blast! I highly recommend costumed birthday parties if you can get the people together for it!

So now, without further ado, I’m just going to post a whole pile of pictures of the day!

Note: Photos with the watermark “In the Long Run Designs” in the lower right-hand corner were taken by Gloria of In the Long Run Designs

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Sesquicentennial Ensemble: Making the Dress

This dress is old news now but in case you’re interested in how it went together I finally got my construction post for it done and up!

For most of this dress, both skirt and bodice, I used the draft from Patterns of Fashion for the 1870-71 dress – the one with 3 bodice options, I used the day bodice. Although this pattern is from a few years after my date, in looking at lots of fashion plates and extant garments I realized that pattern piece shapes from the early 1870s were largely the same as those of the mid-late 1860s – it was fashion evolution not revolution going on at this time!

1871-73 I think this is the dress from the Patterns of Fashion 1860-1940 by Janet Arnold

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Sesquicentennial Ensemble: Skirt Foundations Trials and Tribulations

Quick re-cap of this project:

This year is Canada’s Sesquicentennial – aka: 150th birthday. I went to Ottawa for Canada Day this year (or Dominion Day for those who go old school) which was on July 1st when some friends and I celebrated in 1867 style. If you’re just tuning in you can see the finished outfit in this post.

The silhouette and style I went with is more 1867-ish than straight on 1867 because, to me, the whole 1840s through 1860s is such a snooze fest fashion-wise. I just do not like 1860s fashion; so I pushed mine more into 1868/beginning of the bustle-era. What’s the point of making something that I’m just not interested in, right?

I’m doing a whole post on just the skirt supports because, lemme tell you, this was a whole journey in itself!

For reference, this was my primary inspiration for the dress overall:

Dress

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