Say that 10x fast! Lol.
This is the third and final post in my small series chronicling an “experimental archaeology” project of mine about 18th century alteration practices by first making then altering a 1760s style gown to a 1780s style gown drawing upon research from my PhD thesis on the topic. If you’re just joining and would like to start from the beginning you can click for Part 1 and Part 2.
This reveal has ended up being a tease for some of you since it took some time for me to get pictures that I was really happy with. I hope it won’t be too anti-climactic for you! For the first photoshoot of the 1780s dress I ended up being unhappy with my styling of the gown – hair, ruffles, ribbon colours. It took time to schedule a re-shoot, which Taylor of Dames a la Mode was very gracious to do for me (she took the styled photos of the 1760s gown and the first round of the 1780s dress – she has a lot of patience with me, for which I am very grateful!).
And now, without further ado, I present to you the altered gown:
Phase 3: 1780s dress
The first set of photos are just the gown mostly alone but with the proper underpinnings for the 1780s, mainly a split false rump in addition to the stays, rather than the pocket hoops worn for the 1760s iteration.
With the skirt left un-tied at the back:
This is the second of three posts on a recent “alteration reproduction” project I completed for exhibition at this year’s CSA Symposium in Williamsburg back in March. If you’re just joining, you can check-out Part 1 here to see what this is all about!
For quick reference, this is the gown I altered:
I should begin by noting that I have no idea how HA or not the construction of my hat is. We apparently do know that wire and buckram were used in hat making at the time but don’t know how much it would have resembled our modern materials or just how they were used. We don’t have any surviving examples of these hats (that we yet know of) to check against. So please do keep this in mind – this is *my* interpretation of how such hats maybe *could* have been made.
Anyway, here is the hat in question:
For the first weekend of February this year I got to have a little costuming adventure in Ft Worth, Texas. This was especially exciting as I’d never been to Texas before! And I have to say that what I saw of Ft Worth left a very good impression! It was so clean, the people were so friendly, the prices and portions for food were fantastic (even if the portion sizes were a little overwhelming) and the hospitality was overall so gracious!
The reason for the excursion was an event organized by the Dallas/Ft Worth Costumer’s Guild, entitled the “Victorian Soiree.” They found out that the Ft Worth Symphony was going to perform a selection of pieces from the later Victorian era and decided to make an event of it!
So, we went to the Symphony in costume and it was just delightful!
I had initially planned to re-wear my CoCo 2017 Gala gown but have decided I don’t think the bodice is really all that flattering on me and I’m feeling self-conscious these days about my flabby upper arms. Add to this that an idea for a new 1870s bustle dress had been planted in my head by a silk purchase a few months ago and I couldn’t resist making something new – with sleeves, lol!
Right at the end of 2017 I had a little dream come true – a costumed weekend at Colonial Williamsburg!
A couple groups of friends decided to get together there to take in the holiday decorations and sport our 18th century winter wear.
*Note*: all watermarked photos are courtesy of In the Long Run Designs – thank you again Gloria & Mike!!
In early November I got to attend a lovely annual event here in the DC area: The Pumpkin Tea and Candlelight Dinner hosted by the ever-gracious Lady Detalle.
This post is about the outfit I put together for the afternoon tea.
The group shots and photos of me in my outfit were graciously taken by Gloria of In the Long Run Designs.
Everyone looked SO GOOD!
If you’re just joining, this is my follow-up post to last week’s that was full of pretty photoshoot pictures of my recent 1875 bustle gown, made for my Big Ass Birthday Bash. This post focuses on construction and the insides of the ensemble. And thank you to everyone who responded to the last post with questions about the making of this outfit, I’ll do my best in answering them!
The foundations for this dress are my trusty pink Victorian corset along with the Laughing Moon bustle/crinoline I made earlier in the summer…..
Well, I did it! I’ve now made everything that was on my historical sewing list for 2017 – and I still have a couple months to cram in a few more makes, ha! This dress was the last on the list and was made for my recent Big Bustle Birthday Bash. And last week I was able to do a dedicated photoshoot of it courtesy of Taylor of Dames a la Mode.