Especially pertinent this year, amiright!?
Anyway, a few years ago I came up with a method to help with the end-of-winter-everything-is-grey/brown-and-gross blahs. As soon as March arrives I start wanting colours, pretty colours! Spring fashions start arriving in the stores at that time, but there’s no way you can wear them without contracting hypothermia because it’s likely still below zero temps and there’s still snow on the ground (and at least one more good winter storm on the way during March, even when it’s not a polar vortex year). The stuff in stores doesn’t matter to me much since I mostly don’t buy clothes anymore – it just makes me laugh to see spring and summer dresses in shop windows when there’s still lots of snow on the ground, lol.
Spring/summer patterns and fabrics start coming out at this time too. It does make sense since it usually takes more time (and often planning) for spring/summer sewing than buying clothes, but I want something spring-y to wear in March/April!
My solution? Sewing clothes for “Canadian” spring. Basically, this means making winter-weight clothes in spring colours! I kind of can’t believe that no clothing line/brand has hit on this idea for Canada and other “climates of extremes”.
I also try to include making pieces that are transitional, such as fully winter colour clothes that are neutral enough to be combined with spring-coloured pieces and clothes that may not be heavy enough for deep winter weather, but work for that period transitioning between cold and mild (ie April – most years, not so much this one).
I don’t have a huge Canadian Spring wardrobe yet as I find the necessary materials tricky to source. I like best to use woollens, and acquiring them in pretty spring colours doesn’t happen too often for me as I exist in a constant state of “I’m not really supposed to buy fabric” and only pick up pieces as I happen across them and feel I can’t live without them.
So, I’m adding to this segment of my wardrobe bit by bit each year and thought I’d show you the types of pieces I’ve got so far.
It really all started with these two skirts:
This lavender one and the yellow skirt below are both made from wool pieces I picked up at Goodwill or Value Village. There was just enough of each for an A-line skirt.
This skirt is lined with a mauve silk jacquard I had in the stash and was never going to use for a garment because I wasn’t keen on the jacquard pattern.
Both of these skirts were made using this cute 70s pattern:
The lavender skirt is view 2, minus the front slit, and I think the yellow skirt is view 1, also minus front slit and waist tabs. I chose a different route for visual interest on this one:
The buttons are these funky vintage dome buttons I found sometime at the Sunday St Lawrence Antique Market in downtown Toronto. They remind me of beehives!
Below is probably one of the most luxurious pieces of everyday wear I own. It’s made of wool satin. I got it for a great deal somewhere online back in 2008. It was purchased to make this. I had to take the 3 yd piece, but only needed about 1/2 yd/m for the stays. So there was lots left over for a pretty dress!
You can tell that I was still into the swirly rouleaux trimming when I made this ;o) Hmmm….I should try it again sometime, it’s a pretty cool technique, isn’t it?
The pattern is a combination of franken-patterning (bodice and sleeves come from 2 vintage patterns) and my own “drafting” (the skirt is a big rectangle box pleated into the waist). Actually, the waistband was my own doing as well. The idea came from a dress I made at least 7 years ago now (and still wear!) from a 1950s pattern. I made the bodice too short for me and in a desperate scramble made a waistband piece from some contrasting fabric. One of the best sewing mistakes I ever made! I loved how it turned out and have been making dresses based on the idea ever since (like, at least 6 – and I still make at least one every year!)
The bodice is lined with pink cotton and the skirt is lined with nude-coloured rayon bemberg lining (I couldn’t find either pink or ivory, boo). This is a technique I’ve started employing the last couple of years and I really like it. I’m pretty inconsistent with how I line things, it totally depends on what I feel is right for that garment. In cases where I want to line the whole garment, but know I will be wearing it a lot (or exclusively) with tights, I really like this split materials idea. I dislike the feeling of bemberg lining on my bare skin, especially around the torso, and much prefer the feeling of cotton (or silk! yum!). I find the cotton so much cozier and comfier. However, I need the skirt to be slippery over tights. Thus, cotton for the bodice, bemberg for the skirt was the ideal solution! It doesn’t always look the tidiest on the inside since the fabrics are often mismatched (for me, anyway, as I try to use stash stuff as much as possible) but it’s the lining, so I don’t care! (most of the time)
The dress below is lined the same way as the pink one above. I did a little better and more fun on the fabrics, though. The skirt is lined with solid light green bemberg and the bodice with a cute little green on white cotton print.
This dress is made from a wool blend of some kind. I found it at Fabricland on one of their ‘designer ends’ tables, so it was invariably labelled “100% unknown fibres”. There’s definitely wool in there, though. It’s warm, it presses and steams well, and smells like wool when wet.
Oh shoot, I should’ve photographed it with a belt, I usually wear it with a white one that really sets off the fun button on the collar tab.
This one comes from another cute 70s pattern:
(Incidentally, this is also the pattern I used for my Fall for Cotton dress)
The dress below is for more of the “spring is a real possibility” phase of this transitional time. It’s made from stretch cotton sateen and I really should have pressed it before photographing it.
Anyway, it’s unlined and until June will be worn with a cardigan and until May (or, who knows, maybe June this year) with tights. To wear it with tights I wear a half-slip underneath it. I’m really into the idea of wearing slips rather than lining everything. I still only have one, but wear it ALL THE TIME through fall/winter/early spring. Wearing slips instead of lining everything saves both resources/money and time: win-win! Oh, and this also enables me to wear some warmer weather dresses and skirts during cooler times as it adds a little bit of warmth and makes them wearable over tights!
Oh – and this dress is another version of the “waistband fix” idea I mentioned above.
Oh dear, so rumpled-looking. I swear this is really pretty when worn, I get lots of compliments on it. And it looks super smart with a black belt and accessories!
I call this my “Chanel” skirt. Something about the black + cream + stripes makes me think Chanel-ish for some reason. As opposed to the coral dress above, this is a mainly winter skirt that can segue into the transition to spring.
This skirt is made of a wool fabric called “Viyella” (although it was a random thrift-store find, it had a Viyella label affixed to it). I did a little research into the name and believe it was a popular fabric in the early 20th century for warm wool undergarments. It’s pretty soft to the touch and supposedly washable. I might have been willing to put that to the test, but the grosgrain ribbons that make up the stripes would shrink like crazy, being cotton/rayon. Trust me to make a washable wool garment unwashable!
You can’t see it, but I lined this skirt with some leftover ivory satin lining. The lining has some body to it, though it’s not kasha lining (satin face, flannel back) which adds substance to the skirt, and makes it super slippy on the inside! (I don’t know what it’s fibre content is, adding to the unwashability).
These two dresses are last year’s additions.
This one is made from a medium weight cotton something (I found it in a drapery section) trimmed with ivory cotton bias binding. It’s unlined and I often wear it with a little cardigan over top, my full-ish half slip under it and the ubiquitous tights.
There’s a little hook and thread loop to fasten the waist trim over the zipper!
I used Burdastyle magazine pattern 108 from the Oct 2012 issue for it:
Below is my first Macaron from (I hardly need say) Colette Patterns. To be honest, I wasn’t in love with this dress when I first finished it, but it’s steadily growing on me. It’s made from a green/blue windowpane check that I think is one of those raw silk suiting type fabrics. Maybe mixed with linen? Maybe not. I found it *somewhere* years and years ago. The blue contrast is a remnant piece of wool (gabardine, maybe?) left over from a suit I made in 2009 to wear to my MA thesis defense (I need to find occasion to wear that suit again – it has piped welt pockets!). I lined the bodice of this with blue cotton (leftover from some experimental dyeing of a thrift store bedsheet). I left the skirt unlined and wear the half slip with it.
I think I need to make some summer Macarons!
And here’s what I’m hoping to add this year:
This is Vogue 1317 by some
guy designer named Ralph Rucci. Upon closer inspection of the pattern I discovered that the front is actually vented and there are pockets in the side front seams. I’m going to eliminate both of those and alter the pattern to have just a normal side front seam. As much as I love pockets, adding bulk right over that area on a style that’s kind of fitted through the hips is just not going to look good on me. The design of the pattern also eats up just a little more fabric than I’ve got, so doing this will also mean I have enough fabric for it. (I initially considered doing the tie and back waistband in a contrast colour, which I think could look great, but for this one I just prefer monochrome).
My fabric is this wool blend from a store in Toronto. Hey, they have a FB page! Although it’s a blend, it really smells wool-y, so I think there may be only a little of something else.
So that’s the bulk of my “Canadian Spring” wardrobe, which gets interspersed with more wintry clothes until the temp gets above about 10C when it’s interspersed with more spring-y clothes, lol.
How have you adapted your sewing to the needs of your climate – if you need to?
p.s Thank you so much for all the lovely comments and compliments on my Tree gown. I loved sharing it with people who can appreciate the monstrous amount of work it took, lol. And I have to say I was a little surprised at just how much love the cape got! Photos from our “photoshoot” are hopefully coming soon!